Monday, 28 October 2013

The Top 10 Icons To Enjoy A Cigar With
 
 
Kwazi Thabethe
@KwaziThabethe
Christopher Gaxa Wood
@chrissaiia
 
A cigar transmits the sort of beauty and mystique that defies description. It has the ability to overshadow the presence of all other aesthetically pleasing items in its immediate environment and cigar smoking itself can serve as a pleasant diversion from all the hassles of life or act as the perfect treat when you’re celebrating or you just happen to find yourself in good company. Cigar smokers know that just by cutting and lighting up, you can prolong, enhance or even create a special moment. That passion for life is one of the most significant qualities that sets cigar smokers apart from the rest of the crowd.

 
 
History shows us that it is very rare to come across a cigar smoker who is not a person of quality and a model of distinction since, for generations now, the habit of cigar smoking has been synonymous with leaders, champions, pioneers and visionaries. These individuals have lent their stature, charisma and ambiance of folklore to the custom of cigar smoking and thus it seems fitting that we pay homage in this post by presenting a list of the top 10 most intriguing icons you could have the pleasure of enjoying a cigar with. With a selection that ranged from business moguls, sportsmen, movie stars,  musicians, writers and politicians, choosing the top 10 stand-out cigar smokers in history was an extremely complex exercise but now, finally, it’s been done. So sit back as we rank the chosen heavy-hitters from the 10th spot all the way to the top spot...
 
10- Michael Jordan

Well what can be said about this gentleman? Aptly described as “The best there is, the best there was and the best there ever will be” for his exploits on the basketball court, off the court, Michael Jordan is the ultimate man’s man! He owns over 150 suits, he loves steak so much that he decided to open his own steak house, he plays golf with Tiger Woods in his spare time, and he recently built a mansion that features a giant movie theatre outfitted with special equipment made to handle the mass amounts of cigar smoke. (He smokes at least 10 cigars per day). A lifestyle like his is the greatest perk of with winning 6 NBA championships.
 
9- Francis Ford Coppola
This five-time Academy Award winning movie director  and scriptwriter has been associated with some of the greatest films in Hollywood history. His body of work includes Patton, Apocalypse Now, Dracula, and The Cotton Club (Just to name a few) but the accomplishment that carved Francis Ford Coppola’s name deep in the eternal stone was directing the Godfather Trilogy. This 3-part cultural phenomenon dwarfs the significance of every other detail about Coppola’s life and often causes many to overlook anything else that he’s ever succeeded at. Outside of film-making, Coppola has also established himself as a magazine publisher and is the proprietor of a thriving wine vineyard. Legend has it that Coppola was introduced to cigar smoking by Jack Warner, one of the co-founders of Warner Bro’s movie studios. A detail that lends further credence to the theory declaring cigar smoking to be the stuff of pioneers.
 
8- Mark Twain
 
A ground-breaking writer whose contributions in the fiction genre set a new standard for all novelists and aspiring novelists. Those who knew Mark Twain say that he smoked on a daily basis and that his cigars were as instrumental to his existence as his written words. The degree of his love of cigars was probably best demonstrated when he said “If there are no cigars in heaven then I’d rather not go”.
 
7- Jay-z
For at least 15 years now, Jay-Z has been the rapper that defines the age that hip-hop is living in. Perhaps the most visible and most telling constant during his reign as the culture's standard bearer has been his attachment to Churchill sized cigars. To millions of his fans, Jay-Z's songs and music videos are a spellbinding memento of that old belief that great men and great cigars ought to always go hand-in-hand. Whether he's "Big Pimping" in the Bahamas or hosting his "Roc Boys" at the 40/40 club, Hov usually has a cigar in hand to add to his enjoyment of the occasion.
 
6- Don King

One of the brightest, one of the most eloquent and one of the most charismatic figures in sports history. Don King’s journey from being an illegal bookmaker to a first-class promoter has turned him into boxing folklore and an American icon. This man has promoted bouts for some of the most prominent names in boxing, including Muhammad Ali, George Foreman, Joe Frazier, Larry Holmes, Mike Tyson, Evander Holyfield, Julio César Chávez, Ricardo Mayorga, and Félix Trinidad. And during the 3 decades when he was the undisputed number one promoter in boxing, he was almost always seen with a cigar in hand.
 
 
 
 
5- Diego Maradona
 
Although he is widely regarded as the best footballer to ever lace up the boots, Diego Maradona’s larger-than-life persona transcends the realm of football and gives him social significance in addition to his sporting significance. As a player, he played for some of the biggest clubs in the world (Boca Juniors, Barcelona, and Napoli), he inspired his home country of Argentina to a World Cup victory, and he scored the 2 most famous goals in football history within a matter of minutes from each other during a controversial match against England in 1986. Off the field, he’s associated with almost everything that makes Latin America alluring; Cigars, revolutionaries, and beautiful women!
‘To understand that gargantuan shadow Maradona casts over his soccer-mad homeland, one has to conjure up the athleticism of Michael Jordan, the power of Babe Ruth- and the human fallibility of Mike Tyson. Lump them together in a single barrel-chested man with shaggy black hair and you have “Ël Diego”, idol to the millions who call him D10S, a mashup of his playing number and the Spanish word for God’ – The Houston Chronicle
Now just imagine yourself enjoying this man’s company while you both smoke some fine cigars…
 
 
 
 
 
4- Fidel Castro
Soldier, statesman, humanitarian, and all-round legend! In these past 5 decades where he has been the global icon of defiance and perseverance, Fidel Castro has also freed his country from hunger, illiteracy, illness and subservience to foreign powers. Along the way, he’s struck-up some personal friendships with some of the most remarkable figures of the 20th century (People such as Thomas Sankara, Ho Chi Minh, Simon de Beauvior, Hugo Chavez, Salvador Allende, Muhammed Ali, Pablo Neruda and many, many others). His best friend for most of the journey though appeared to be his cigar. He was rarely seen without a cigar until that day in 1985 when he, in another act of noble servitude towards the people of Cuba, decided to permanently abandon his favourite pastime as a means of setting an example after a rising national concern over the health risks of smoking. Still, one can’t help but wonder about the stories he could share over some Cohiba’s while unwinding on a summer’s evening somewhere around the Havana coastline…
 
 
 
3- Ernest Hemingway
Tolstoy claimed that if a gun is introduced into a story, it must be fired. But the reverse is also true. Just as stories use items, so items can conjure stories around them. To many, the stories invoked by cigars were written by Hemingway. Stories of cigars smoked over bullfights in Pamplona, or of cigar smoke mixing with the scent of strong coffee in the salty tradewinds blowing off the Gulf of Mexico. People care about cigars because they speak to a life, or maybe just a moment, that captures who they want to be. Hemingway’s life has become similarly emblematic. At base an insecure, uncertain manic-depressive; the stories he told transformed him into a bold “Man of the World”, traversing between war-zones, boxing rings, Mount Kilimanjaro and the Sierra de Guadarrama. He understood, as all cigar smokers do, that something as strange and simple as a cluster of wrapped tobacco leaves, or a troubled kid from Illinois, can be transformed into the grandest of tales.
 
2- Denzel Washington
The coolest actor to ever grace the screen. In fact he may just be the coolest individual in the history of anything because of the swagger and smarts he lends to every movie role he plays. Seriously, when this man is tackling a new role, all one can do is watch on in awe as his individual brilliance out-shines everything else that the movie has to offer. In a 1998 interview, Denzel gave a Cigar Aficionado an idea of what enjoying a cigar in his company would be like when he said: “Normally I like to smoke outdoors. I love to smoke on the sea or by the water. I like the quiet that it's about. I like to take a nice mile walk up and down the beach, take a nice toasty single malt with no ice and a good cigar. Walk a bit. Sit down on the sand. Can't beat it”. Over the years, he has won 2 Academy Awards and has also gotten the opportunity to study and then portray some remarkable real-life figures such as Steve Biko, Malcolm X, Rubin "Hurricane" Carter, Melvin B. Tolson, Frank Lucas, and Herman Boone.
 
1- Che Guevara
An avid cigar smoker and the patron saint for many revolutionaries across the world because of the example he set by dedicating his life to the cause of freedom and social justice. Che sacrificed a life of privilege and a cushy career as a doctor to pick up an AK-47 and participate in armed struggles that stretched across 3 different continents. What was the motivation behind his self-less sacrifice, you ask? The desire to awaken the consciousness of a "new man" who would be driven by moral rather than material incentives. His passion for cigars is best described in this extract from Cigar Aficionado : “For Ernesto "Che" Guevara, cigar smoking was not a luxury, but very much a part of the business of revolution, a spiritual complement to lessen the hardships of a life filled with difficulties and dangers”
 

Sunday, 4 August 2013


DERBY DOWNER

 

 

Kwazi Thabethe

@KwaziThabethe

 

The other day I got home from a hard day of slaving it up for the baas and found my dad watching the biggest contest South African football has to offer; The Soweto Derby! I opened the door, saw it on the TV screen with the vuvuzela's buzzing in the background and you know what my immediate thought was? "OH GOD, NOT ANOTHER ONE!" 

 

Why was that my immediate reaction? Maybe my thinking was influenced by my bitterness from that time in 2011 when I, along with a group of friends, took a 600 km pilgrimage to Soccer City for the Soweto Derby MTN 8 final that ended up being an embarrassing bore? Or maybe I just recalled that time last December when I got caught up in the derby hype and arranged yet another weekend trip to Johannesburg with the same group of friends? Oh yeah, we drove up, fired up the braai-stand, soaked in the electric derby atmosphere, and then made the error of actually watching the game itself. The dullness of what we witnessed on the TV screen just made everyone in the room feel awkward. If it wasn't my unresolved trauma from that tiresome anti-climax then maybe it was the feeling of despair I felt at the conclusion of the last Chiefs-Pirates fixture I watched. I went to a local bar with a friend and there we were treated to a mind-numbing 0-0 snore draw. After that game, I was done! I came to one conclusion about the massive hype that surrounds the Soweto Derby; Kudlaliwe ngabantu! We fans deserve so much better than the poor quality of football we're given time & time again from this fixture.

 
 
Besides complaining about the quality of football, I might also add that Chiefs vs Pirates games always seem to lack that intensity that adds a competitive edge to any sporting spectacle. I'm not in the habit of unfavourably comparing African situations to the rest of the world but at the same time I'm a footballing fanatic and so I can't help but notice that the Soweto Derby lacks the sort of sub-plot that adds mystique and an extra bit of interest to a rivalry. In Turkey for example, the two biggest club sides there are Galatasary & Fenerbache and when they meet, there's a cultural clash in the stands to supplement the football clash on the field. Istanbul, the capital city of Turkey caters to both an Asian and European culture; Fenerbahce represent the Asian side, while Galatasaray are more European. There's nothing culturally different about Chiefs fans and Pirates fans or any significant cultural difference in the way the way both clubs operate. When Greece's 2 biggest teams play one another, it's considered an extension of class warfare with Panathinaikos considered to be representative of the upper class while Olympiacos are the team of the working class. In Argentina, the "Super Classico" derby between River Plate and Boca Juniors is also a game that has a history of an economic disparity between the followers of both sides;  Boca Juniors is known as the club of Argentina's working class or the people's club, with many Boca fans coming from the Italian immigrant community whist River Plate has a predominantly upper class support base. South Africa lacks that sort of dynamic between Chiefs and Pirates fans to thicken the plot of the derby. When a sporting contest goes beyond just being about sport, it adds to the significance of the event and mobilises anybody and everybody around it. Casual viewers suddenly become die-hard fans and even those who tend to show apathy toward sports make time to watch. Because the rivalry between Chiefs and Pirates lacks that polarising characteristic found in other global derbies, it never has the feel of a proxy battle being contested on a football field.   

When an economic, cultural, tribal or political sub-plot acts as the backdrop to the sporting contest, it tends to instil a warrior-like spirit in the hearts of the competitors because they have the confidence of an entire cluster behind them. The athletes then approach the contest in a way similar to how a soldier approaches going in to combat and usually give a performance that reflects poise, hunger,
 
commitment, and professionalism. In recent years I've all too often found myself lamenting the absence of these qualities from players in both camps of the Soweto Derby while also enviously looking on at how titanic clashes in other countries have these qualities in abundance. I recently read an article (can't remember where) where one journalist described the significance of FC Barcelona's rivalry with Real Madrid to the autonomous Spanish region of Catalunya by saying "Catalunya is a nation and Barcelona is its army!". This sort of sentiment is also evident in the sport of boxing when Hispanic fighters step into the ring. The build-up's to their bouts always stir up nationalistic emotions, particularly when fighters from rival Hispanic nations are duelling, and that usually results in spontaneous combustion inside the ring. It’s no surprise then that a Chiefs vs Pirates clash almost always fails to produce that sort of result seeing as the two clubs seem to be on friendly terms. They have the same major sponsors, compete in pre-season friendlies together, and even the 2 opposing club chairmen appear to be good friends. Elsewhere on the African continent, the rivalry between Al Ahly and Zamalek is so intense that match official's need to be brought in from abroad as a means of ensuring impartiality because the stakes are so high. The absence of this sort of friction is a major factor in why the derby is always so tame and underwhelming.
 
The approach that Chiefs and Pirates use in the days leading up match-day better resembles that of 2 corporate entities campaigning to promote a joint initiative rather than 2 enemy camps about to slug it out in grudge match. Vodacom pays for some silly advert to promote the game for both sets of fans, players from both sides appear on the same radio or TV show a couple of days before the game and try to sound convincing when they lie about what a great game we're going to be treated to, and the officially recognised number 1 fan's from each side will do a joint appearance of some sort on whatever medium that's willing to entertain them.  All these scheduled promo's create a working relationship between teams that are supposed to be rivals and that working relationship, whether they know it or not, comes into play when they meet on the field. As a result, a contest that's meant to be between fierce enemies then has the tempo of a game between friends. The football suffers as a consequence of all the commercial interests that safeguard the links between the clubs. At this point the Soweto Derby is headed towards the WWE wrestling route where the stars are depicted as enemies purely for the sake of generating interest but we all know that they're all friends behind the scenes.
The pride that and excitement shown towards Soweto Derby by the people deserves better football then what we're seeing whenever these games are staged and until the quality picks up, I'll instinctively cringe whenever I see it hyped in the media. I've speculated about where the problems lie but I don't have the solutions. All I'll say is that I'm tired of feeling duped and short-changed after the conclusion of these fixtures so I think I'm going to pass on them from now on. But please let me know if the quality of football ever picks up to a respectable level so I can start watching again.
 

 
 
 
 


Thursday, 9 May 2013

The Hagiography of Tupac Shakur



 
Kwazi Thabethe

@KwaziThabethe

In my own lifetime, I’ve seen Rap/Hip-Hop culture produce numerous icons that have impacted the world in various ways via the far reaching power of American media and the raw emotion & power of their  lyrics. There’s Snoop Dogg, the rapper that even your grandparents would recognize. There’s Eminem, Hip-Hop Culture’s favourite white boy. There’s Diddy, the mogul whose financial success is the carrot at the end of the stick for any ambitious entrepreneur. There’s Jay-Z, the greatest rapper ever (don’t dare disagree with me on that). There’s Kanye West, probably the most immodest music icon I’ve ever observed (and with much to be immodest about). And now there’s Drake, the rapper-cum-singer who’s become the poster-boy for the mix-tape generation.  Those are just a few of the afore mentioned “icons” and they’ve all attained theirs status using different approaches but in my own opinion, there’s one icon whose legacy  overshadows them all for reasons that go beyond music or entertainment; Tupac Shakur!

Tupac stands out not just because of the quality of his music, but also because of what he symbolized to the constituency and class of people that are inundated with Hip-Hop culture. Over the years, the image of rap has evolved into an industry that seduces the minds of young (and mostly black) people by selling them an opulent lifestyle that is beyond their means instead of addressing the socio-economic conditions and challenges rap fans face every day of their lives. Now I’m not saying that Tupac was above flaunting his wealth in lyrics or music videos, but he certainly didn’t do it with the crassness and degree of buffoonery that we often see from other rap artists. And when delve deeper into his legacy, you’ll find that the Tupac songs that have stood the test of time are the songs where the activist side of him is speaking rather than the superstar side. But like I said, it’s not just his music that sets him apart; it’s his whole life and family history. There’s an education that one attains from just dissecting his adult life, his upbringing, his name, or his family tree (One talk-show host remarked that “his family portrait could well be a poster for America’s Most Wanted). That education you get from examining Tupac the man helps you understand why he’s such a champion of the collective struggle that millions of his fans face every day around the world.
 

The first and most obvious example of Tupac’s consciousness is in his name, “Tupac Amaru Shakur”. His name is significant because almost every prominent figure in Hip-Hop culture has a “squeaky clean” sounding legal name that they’d rather forget (Think “Todd Smith”, “Jeffery Atkins”,  “William Leonard Roberts II” etc) and at some point that name is abandoned for some other slick or tough sounding moniker that’s meant to garner street-cred or inspire awe. In Tupac’s case, his real name was his stage name. Not only that, his name aroused curiosity because it didn’t follow the black American trend of having an English first name from your parents and English last name that some racist slave-master had imposed on your ancestors. When you follow up on your curiousity about the origin of Tupac’s name, you learn that he is named after a Peruvian revolutionary that led an indigenous uprising against the war-mongering Spanish empire. “Tupac Amaru” (the Peruvian) was a chief of one of the great tribes in the Inca state of Peru. His anti-Imperialist stance led to him being executed by the Spanish as part of their imperialist escapades. Tupac’s mother, Afeni Shakur, was an educated and politically conscious black woman and thus decided to give her son a name that paid homage to a figure whose story serves as an inspiration to many of his fans around the world who are subjected to any sort of domination by a foreign power. I’m almost certain that had it not been for my own fascination with Tupac’s life story, the story of the heroic Inca tribes of South America would’ve been lost to me because we are usually only exposed to the kind of history that glorifies and romanticizes the imperialists and colonists. This goes back to the point I made earlier about Tupac symbolizing more than just rap music.

The attainment of knowledge that comes from examining Tupac’s life is furthered when you learn about his ties tied to the now defunct Black Panther Party. When you think of the black struggle in America, the first iconic image that pops into almost everyone’s mind is Martin Luther King’s “I have a dream” speech or a Malcolm X poster because the impact that those 2 men had and the fact that they died as martyrs. But sometimes all the adulation they receive creates a situation where the contributions of other significant figures are overlooked by those that write the history books.  If you look into Tupac’s family, you learn that his mother was once a high-ranking member of the Black Panther Party which played an important role in raising political awareness amongst blacks during the 1960’s and 1970’s. For me personally, it was this exposure to the Black Panthers that inadvertently educated me about the black America’s fallen warriors like Huey Newton and Fred Hampton. It was also through reading up on the Black Panther Party that I learned about Tupac’s legendary step-father, Mutulu Shakur, and his Godfather, Geronimo Pratt, who was also a renowned and respected figure in Black Panther circles. As someone who considers himself to be a small-time activist, I have to say that it was a privilege to stumble upon the legacies of these idols. If I wasn’t a fan of Tupac, I might have not even have heard of them.

After moving past his symbolic name and remarkable family history, there’s the knowledge that’s to be found in listening to the words of the man himself…  With every Tupac documentary that I’ve seen, I got the sense that I was observing a young man blessed with wisdom and an understanding of the world that was far beyond his years. One example of this was in the documentary Tupac Resurrection… In the middle of addressing black America’s poverty cycle, he said “You have to remember that this country had a man named J Edgar Hoover, whose job it was to destroy the credibility of any black man coming up”. He didn’t elaborate further but the bluntness of that statement made me do some research on this “J Edgar Hoover” character and I came across some disheartening realizations  about how the American government spitefully sabotaged the efforts of black public figures to uplift the social and economic conditions of their people. Hoover was the Chief Director of the Federal Bureau of Investigation (FBI) for over 40 years and throughout that period, with the full backing of the suits in Washington, he harassed influential black men like Marcus Garvey, Malcolm X, Bob Marley, Martin Luther King, Medgar Evers, and Fred Hampton.  Hoover’s FBI planted divisive moles in every major black organization, including The Nation of Islam, The Civil Rights Movement and the Black Panthers, and these moles created an atmosphere of hate that led to the downfall of many black figures. Of course none of this was brought to light when a movie about J Edgar hoover was released in 2011 and I probably  would’ve known very little about Hoover and the FBI’s war on black America had it not been for that one unapologetic statement from Tupac.
 
 
Another priceless gem I picked up from Tupac’s encyclopedia of thought was how he explained the different meanings  and pronunciations of the controversial “N” word that divides opinion in the black community and also has white people saying “Hey, why do you get to say it but we can’t?”.  When a white MTV reporter asked why Tupac was appalled at being called a nigger by the guards in prison when he himself uses the word numerous times in his songs, he simply smiled and said “a ‘nigger’ is the one with a slave-rope tied to his neck and hanging over his head, a ‘nigga’ is the one with a gold chain, hanging out in a club”.  With that one simple sentence, he explained how blacks had taken and redefined the term that was originally meant to oppress them. When you observe footage of him using the term, you can tell that when he talks about his niggas, he’s referring to his people or his friends. For him, the word had come to symbolize brotherhood.  

As a music artist, Tupac has some timeless classics that are dear to the hearts of many people because he’s championing their cause or raising awareness about their predicaments. When you listen to “Brenda’s got a baby”, you see that Tupac is painting you a picture that demonstrates how the ills of the ghetto manifest themselves and how those ills lead to the sufferings of innocent people. In the song ”Keep Ya Head Up” he pays a glowing tribute to virtuous women that are subjected to poverty, abuse and crime whilst also calling for men to clean up their acts with regards to how they treat women. Tupac’s sense of duty to his community was visible in the way he’d sometimes step outside the unspoken understanding within Hip Hop culture that women are to be treated as objects and not as equals who deserve to have their story told and their plight addressed.  And then there was also “Thugz Mansion”…. My God what a hauntingly deep track! The imagery he uses to describe his idea of heaven is enough to put you in a trance. That song also illustrates how Tupac (along with many of his fans) longs for a sense of belonging somewhere because they feel trapped and enslaved by the society that surrounds them. Thugs Mansion is Tupac’s interpretation of the Utopia that his fans long for. Aside from the above mentioned selections, there are many more Tupac songs that go beyond entertaining you as a listener but also educate you about the racism, violence, and hardships faced by so many who are the victims of the social, political, and economic order  that’s found not only in America, but the world at large.
 

There’s a whole lot more that I could say about what Tupac stood for and the empowerment he brought to the lives of those of us who have been lucky enough to be touched by his legacy but even with the little that I’ve touched on thus far, I can’t help but feel that the man’s potential was bigger than rap. I think that although being a music artist provided him with a platform to reach the masses of people that need leaders like him impacting their lives and maybe even saving them from a path of waywardness, his untimely death at the tender age 25 robbed the world of the greater man that he surely would have matured into as he grew older and even wiser.  Quincy Jones touched on this same point when he remarked: ”If we had lost Oprah Winfrey at 25, we would’ve lost a relatively unknown, TV anchorwoman. If we had lost Malcolm X at 25, we would have lost a street-hustler named Detroit Red. And if I had died at 25, we would have lost a trumpet player and aspiring composer- just a sliver of my eventual life potential”. Sadly, we don’t know what Tupac would’ve evolved into but I have a feeling that if he were alive today, he’d somehow be further educating and empowering millions of lost souls through social work, politics, entertainment, or all 3.  His contribution to the world is surely too important for history to remember him as just a rapper. For me, he’s a fallen soldier in the struggle for social justice and may his memory always be celebrated as nothing less than that!

 

 

Monday, 11 March 2013

Examining the 100-year Anniversary of the Native Land Act

Kwazi Thabethe

@KwaziThabethe

South Africa, along with its "Rainbow Nation" mantra, is seen by many (particularly those living outside the country) as the world’s greatest fairytale because of the seemingly successful and peaceful transition from white minority rule to democracy that has occurred in the post-Apartheid era. But behind that rainbow and concealed by the politically correct "feel good" rhetoric is a country that is shamed by the failure to effectively address possibly the greatest question that faces a newly independent state; Land Reform!

The basis for any struggle for independence, any revolution, or any mass uprising against the might of a controlling (and sometimes foreign) power structure is almost always a need for a greater share of the riches produced by the land that the people work. This was the case in the French Revolution, the Russian Revolution, the Cuban Revolution, the Rhodesian War, and the Mau Mau uprising in Kenya, just to name a few examples that demonstrate this point. And now here in 2013 I, like many black South Africans, am feeling awkward and embarrassed to be living under the sort of ideals that were envisioned by the scribes of the Native Land Act 100 years go. Despite the myth about black freedom being attained 19 years ago when the right to vote was granted to us, we are still haunted by theft of the land of our forefathers having being codified into law 100 years ago, and that in itself branches off into numerous obstacles that stand in the way of attaining true freedom for us the indigenous of people of this continent.

So what did the Native Land Act of 1913 aim to accomplish? The eternal economic enslavement of black people by permanently isolating us from the fruits of our land of birth. After the ravages of colonialism, first at the hands of the Dutch and then at the hands of the British, the previously self-sufficient black Africans were already dispossessed of the bulk of the country’s land and what the Native Land Act of 1913 merely did was classify this humiliating injustice as a matter law. A further purpose of the Act was to regulate the areas where natives could own land within South Africa’s land mass. Originally, the Native Land Act designated 7% of South Africa as native reserves where blacks could own land, despite blacks being an overwhelming demographic majority. Solomon Plaatjie captured the truth of this era when he said "Awaking on Friday morning, June 20 1913, the African native found himself, not actually a slave, but a pariah in the land of his birth".

So 100 years later, what is the legacy of this despicable piece of legislation? Since then we’ve seen apartheid come & go and now find ourselves in a democratic South Africa but there’s been very little land reform to speak of, which means no meaningful transformation of the economy or reparations towards black people for centuries of exploitation and degradation. Yes, the ingredients’ needed to ensure that the black majority is forever trapped in their inferiority complex are all there. Frantz Fanon once wrote that "For a colonized people, the most essential value, because it is the most concrete, is first and foremost the land: the land which will bring them bread and, above all, dignity". When such a theory is applied in the South African context and with the 100-yar anniversary of the Native Land Act in mind, it becomes clear that we black South Africans have had our dignity trampled on for far too long. And to make matters worse, our government doesn’t seem to appreciate that this country’s status quo with regards to land ownership is an embarrassment to any self-respecting black person. The government rather chooses to betray the legacies of Chief Bhambhatha, King Cetshwayo and many others greats who stood up and fought for the native’s pride & and access to land, by constantly begging the white beneficiary’s of our oppression to BUY back the land that was STOLEN from our ancestors. Another unfortunate aspect about government’s participation in the land reform process is that they appear to be dragging their heels in ensuring that land is transferred from a white minority to the black landless majority. Stats currently indicate that only 8% of the country’s arable land has been redistributed to the people while the actual target set in 1996 was to have 30% redistributed by 2016. As long as the land reform process continues at such a snail’s pace, the notion that the native has attained any meaningful freedom will remain somewhat of a lie.

So what is it exactly that causes the government to take such a frustratingly diplomatic approach to providing land for the black proletariat? Do they fear that the Rainbow Nation will lose its innocence if they take a revolutionary stance on the land issue? Do they believe that far-reaching attempts at economic transformation are overly ambitious and would destabilise the economy? Do they fear that interference in the agrarian sector could jeopardise the country’s food supply? (That’s the latest excuse that’s being floated around) Or have they simply sold out and decided to pander to the whims of white monopoly capital and decided that South Africa’s land is best left privatised? The answers to these questions are unclear but what is clear is that the 100 year of anniversary of the Native Land Act is a much needed reminder to the natives that they’ve been detached from the most effective tool of economic liberation for far too long. The return of our land will restore our dignity and the fruits of our land will put us on the road towards economic freedom. It is with this reasoning in mind that we say "MAYIBUYE"!